"This is not theatre. It is not film. It is a performance that draws from what performance theorist Peggy Phelan called the “presentness” of performance – its being “in a real time of bodies in space” (Phelan, 1993). Pátkai places herself not on a stage but in public view, amid the flow of everyday life. The camera, static and discrete, records but does not announce. The audience, unsuspecting, participates unwittingly. This covert element – a hallmark of much site-specific and feminist performance – recalls the uneasy slippage between life and art that early performance sought to establish." https://saltertonartsreview.com/2025/06/invisible-lathatatlan-rozina-patkai/